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More environmental portrait than fashion shoot, Black Girl is collaborative and offers a unique glimpse into each woman’s conception of herself, both as a person and a model. Consequently, they are given a voice and the power to decide in what ways they present themselves. After bouncing around ideas, each model develops a look that reflects her personal taste and style. She wears her own clothes, styles her self, and does her own make-up – unless, of course, she chooses not to. The resulting ideas can, in fact, be quite surprising, ranging from overtly sexual or exhibitionistic to grungy and edgy to rather ordinary. Whatever the case, it’s a refreshing departure from the commercialized, cliché, and fantasy-driven fashion we’re inundated with. Location is also paramount. The models are situated indoors in obscure domestic environments or outdoors in urban, i.e. “inner-city”, environments within New York City. Because both they and I live in traditionally inner-city neighborhoods, like Bed-Stuy and Harlem, the location becomes an integral supporting character that adds depth to the models and informs the series socio-economically. Black Girl is powerful and revealing because we witness the diversity and passion of women who, despite being shunned or ignored by the industry, pursue a shared dream undaunted.